This tribute site is launched on Guy Mitchell’s 80th birthday year (2007) to
commemorate his life and music...
During the 1950s, one American
star dominated the charts with his ballads and gimmicky sing-a-long tunes. In
fact, thanks to six million-selling records, it is fair to say that this decade
belonged to the singing sensation known as Guy Mitchell. Guy’s popularity
stretched much further than his homeland of the United States and his records
received the warmest of welcomes as far afield as England and Australia.
Guy Mitchell was born of Yugoslavian parents in Detroit, Michigan (USA)
and christened Albert George Cernic. By the age of three it was apparent to
his family that they had a budding star in their midst as their son showed
great interest in performing. When Guy turned eleven, it was fortunate that
his family chose to relocate to the capital of showbiz, Los Angeles. It was
at this point that a talent scout spotted Guy and signed him up to Warner
Bros. studios as a child star. Success however in the movies eluded him but
he managed to land guest spots singing on local radio.
Two years later, his family was on the move to San Francisco and
consequently, Guy’s contract with Warner ended. Guy then started work as an
apprentice saddle-maker but having acquired a taste for fame he continued
singing and took vocal coaching lessons in his spare time. His undeterred
enthusiasm eventually paid off as he was accepted for another spot on local
radio.
By 1944, Guy followed a call of duty and joined the US Navy for a
two-year stint. Upon leaving the services, he immediately resumed his
radio-singing career. Over the next few years, Guy became a lead vocalist in
the Carmen Cavallaro orchestra and recorded his first demos. It was the
promise he showed in these early recordings that won Guy first prize on
Arthur Godfrey's radio programme “Talents Scouts”. Regular work followed,
recording songwriters’ demonstration discs.
The year 1950 was a huge turning point in Guy’s career as the fresh-faced
singer had come to the attention of Columbia Records and its A&R Director,
Mitch Miller. At the time, the legendary Miller was on the hunt for a new
star to fill the shoes of Frank Sinatra (who had just left the label).
Miller saw instant potential in the 20-something singer but before signing
him insisted that he change his name. Thus, Al Cernic became Guy Mitchell.
Sinatra’s departure from Columbia benefited Guy in many ways. Not only
was the label anxious to find a new male vocalist but it also had unused
song material which Sinatra had discarded. This further good fortune
resulted in Guy recording, “My Heart Cries for You” and “Roving Kind”. Both
sides to this disc achieved sales of two million in 1951.
After just a few 78-rpm single releases, Mitch Miller had transformed Guy
from a local star to the nation’s favourite pop idol. This exposure ensured
him a successful run of American hits until the end of the 1950s. His
presence was also felt overseas with the release of songs like “A Beggar In
Love”, "She Wears Red Feathers", "Look At That Girl" and the catchy single
“Chicka Boom” from his first major film role in 'Those Redheads from
Seattle'. Guy became especially popular in England and Australia, where his
concerts regularly sold out and singles reached the top of the charts. In
1954, as well as starring in his second picture "Red Garters" Guy also had
the privilege to perform before Queen Elizabeth II at the prestigious Royal
Variety Show in London (England).
By the mid-1950s, Guy’s mentor Mitch Miller encouraged him to work with
other fine musicians such as Ray Conniff, Jimmy Carroll and Joe Sherman.
These new collaborations kept the “Mitchell” sound firmly on the pulse of
the current pop trends. A perfect example of this was the partnership with
Ray Conniff as this generated Guy his biggest chart success, "Singing the
Blues" (originally a hit for Marty Robbins). Recorded in 1956, this ditty
sold more than ten million copies worldwide and topped the American charts
for a staggering ten weeks.
More hits followed in a similar country/rock ‘n’ roll vein such as "Knee
Deep in the Blues" and "Rock-A-Billy". For three months in 1957 Guy also
hosted for the ABC network his own variety entertainment series "The Guy
Mitchell Show". In 1959, Guy released "Heartaches by the Number" which was
another million seller and his last international pop hit.
Throughout the 1960s, musical tastes were on the turn and Guy found his
style very much out in the cold. His contract with Columbia Records
therefore ended in 1962. This concluded a successful partnership that
produced over 25 hit records and achieved sales of over 44 million. It was
also during this decade that Guy appeared on American screens in the
television western 'Whispering Smith' (detailed below) and made his final
feature length movie 'The Wild Westerners'. Continuing this country theme
Guy released two Nashville produced studio albums in 1967-8.
WHISPERING SMITH
At a time when private eye shows and westerns were all the
rage this was an attempt by America's NBC network to fill their schedule
with a series that ticked both boxes. The character Whispering Smith was
based on the novel by Frank H. Spearman and indeed was a detective in
the 1870s for a Colorado-based railroad company. It was Texas born actor
Audie Murphy who was cast as Tom "Whispering" Smith with Guy playing his
partner Detective George Romack. Filming of the series began in 1959 but
due to a series of ill fated events which included Guy suffering the
effects of a riding accident it didn't premiere until 1961. Twenty
30-minute episodes of the show were eventually broadcast to US audiences
between the 8 May and 18 September 1961. These featured notable guest
spots by Robert Redford, Richard Chamberlain ('Dr. Kildare'), Minerva
Urecal ('Peter Gunn') and Alan Hale Jr. ('Gilligan's Island'). Although
the series was praised by the critics for its good acting it lacked a
consistently strong storyline and also caused controversy when some
deemed it too violent for television. Thus, it was not a surprise when
the show was cancelled after its first season with six episodes
remaining unaired. To many this black and white show is regarded as a
bit of a cult classic so it is hoped it will eventually surface in DVD
format!
By the mid-1970s, America’s one-time “Prince of Pop” had decided to go
into semi-retirement concentrating on his ranching and love for the 'great
outdoors'. The 1980s heralded a renaissance for the singer when an
appearance on a television tribute to Mitch Miller spurred a new album.
A series of comeback tours in England, Ireland, Australia and America
kept Guy continually busy into the 1990s. This renewed interest also sparked
a barrage of re-releases of many of his earlier recordings for Columbia
Records. The decade however closed on a very sad note when the much-loved
singer, aged 72, passed away in a Las Vegas hospital after complications
following surgery.
© 2007 STEPHEN MUNNS
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